ERIC ZEISL
Biography Archives
Performances Recordings
Essays and Articles Publishers
Catalogue
Biography
"Eric Zeisl was
born in Vienna on May 18, 1905. From childhood,
he demonstrated an unshakable resolve to compose. Against strong family
resistance, he entered the Vienna State Academy at age fourteen. Two years
later, his first publication appeared, a set of songs. Despite acclaim
as one of Austria's brightest young compositional lights, Zeisl eventually
fell victim to Europe's gathering political storm. In November, 1938, he
fled Vienna for Paris and temporary refuge, but it was only upon reaching
America in September, 1939 that he found permanent sanctuary. Against formidable
odds, he achieved recognition in his adopted land, with praise for his
work coming from fellow composers Erich
Wolfgang Korngold, Darius
Milhaud, Igor
Stravinsky, Mario
Castelnuovo-Tedesco, Alexandre
Tansman,
Hanns
Eisler, Ernst
Toch, and Alma
Mahler-Werfel, among others. Then, on February 18, 1959, at the age
of 53 and at the height of his creative powers, Eric Zeisl suffered a heart
attack after teaching an evening class at Los
Angeles City College. He died that night." (Prof. Malcolm Cole, author
of Armseelchen:
The Life and Music of Eric Zeisl, published by Greenwood
Press.)
Zeisl's music
is richly tonal, but with a modern sensibility. Prof. Malcolm Cole describes
his style as "notable for expressive melody, rich harmonies, strong dance-derived
rhythms, and imaginative scoring." He was perhaps the youngest of the once
successful emigré composers who were forced to abandon their careers
and flee Europe. Zeisl was hurt more than most because his reputation had
not yet been secured. He won an Austrian state prize in 1934 (for a Requiem
Mass), but because he was a Jew he could not secure a publishing contract
since his works would have by that time been banned in Germany, the primary
market. (He was just 29 years old.) Despite this disadvantage, the Viennese
publishers Universal Edition and Ludwig Doblinger published Zeisl's orchestral
works and songs in the 1930's. The Anschluss in March 1938 abruptly
ended hopes of any future Central European publications or performances
including the planned premieres of Zeisl's comic opera Leonce and Lena
(after Georg Büchner) by Radio Prague and at Vienna's Schönbrunn Schlosstheater.
After narrowly escaping capture during the Kristallnacht pogrom of November
9, 1938, Zeisl and his wife fled from Vienna, settling first in Paris,
where Zeisl began his lasting friendship with Darius
Milhaud. Upon
his arrival in New York at the end of 1939, Zeisl obtained a number of
radio performances (and received an unused recommendation from Hanns
Eisler
for study with Arnold Schoenberg), but he was soon lured to Hollywood,
where he suffered from being a late-comer to the movies. He worked on a
number of well-known films, but never received a screen credit. He
soon abandoned film music and returned to serious composition. Zeisl was
composer-in-residence at the Brandeis-Bardin
Institute and at the Huntington Hartford Foundation. At Los
Angeles City College, his students included oscar-winning film composer Jerry
Goldsmith. The composers Leon Levitch, Robin
Frost and Julie
Mandel also studied with Zeisl. In Hollywood, Zeisl composed
a piano concerto, cello concerto (for Gregor Piatigorsky), four ballets,
numerous choral and chamber works, and half of an unfinished opera, before
being felled by a heart attack after teaching the composition theory class
(later taught by Ernst Krenek) at Los
Angeles City College on February
18, 1959.
Archive
The Eric
Zeisl Archive is located at the University of California at Los Angeles.
The archives contain nearly all of Zeisl's music manuscripts, as well as
a vast correspondence which has been indexed and computerized for research
on-line. A complete list of works in the archive is also here.
This site has an extensive non-commercial archive of mp3 files of interviews and lectures. The mp3 archive includes the audio guide from the extensive 2005 Eric Zeisl exhibition at the Jewish Museum of Vienna.Eric Zeisl's family
tree is also on the web. You can also read Gertrud Zeisl's oral
history, or listen to it here.
Barbara Zeisl Schoenberg's Eric Zeisl Page has additional photos.Performances
A list of recent and upcoming performances
Books and Recordings
Click here for a list of books and commercial recordings
of Zeisl's works.
Further information on Zeisl recordings is also available here.
This site has an extensive non-commercial archive of mp3 files of performances and recordings of Zeisl's works, which are available for study purposes only.
Two books on Zeisl, Fremd bin ich ausgezogen (2005) and . . . es grusst dich Erichisrael (2008) by Dr. Karin Wagner are available from Czernin Verlag. Prof. Malcolm Cole's Armseelchen:
The Life and Music of Eric Zeisl (1984) is available from Greenwood
Press.
Essays and Articles
Biographical
Essay(Gertrud Zeisl)
Biographical
Essay (Barbara Zeisl Schoenberg -- German)
PHOTOS
The Reception
of Austrian Composers In Los Angeles (Barbara Zeisl Schoenberg)
Requiem for
a Composer (Lynn Gaubatz)
Publishers
To obtain scores or parts for any of Eric Zeisl's works, please contact
Z.M.P.
The music of Eric Zeisl is published by a number of publishers, including:
-
Zeisl Music Publishers (Z.M.P.), 11429 Chenault St., Los Angeles, CA 90049,
tel: +1-424-208-3844, fax: +1-424-208-3405, email:randols @ bslaw.net
-
Musikhaus Musikverlag Doblinger,
Dorotheergasse 10, A-1010 Vienna, Austria, tel: 43-1-515-030, fax: 43-1-515-0351,
email: info@doblinger.at
-
Universal Edition, Bösendorferstrasse
12, A-1010 Vienna, Austria, tel: 43-1-505 86 95-0, fax: 43-1-505 27 20,
email: office@universaledition.com
Eric Zeisl and Z.M.P. are members of ASCAP.
Please send an email to Z.M.P. at randols @ bslaw.net
if you would like any more information about the works of Eric Zeisl.
Catalogue
Eric Zeisl's works include the following (for more detailed information
visit the on-line catalog at the Eric
Zeisl Archive or search through our archive of mp3 files):
Published Works
Songs:
-
Drei Lieder 1922 (Edition Strache)
- Armseelchen, 1922. Baritone with piano accompaniment. (Text: Emil Alfred Herrmann)
- Rokoko, 1922. Soprano with piano accompaniment. (Text: Friedl Schreyvogl)
- Neck und Nymphe, 1922. Baritone with piano accompaniment. (Text: F. Mäding)
-
Kinderlieder 1930/31 (Doblinger)
-
Liebeslied 1935 Soprano with piano accompaniment. (Text : Des Knaben Wunderhorn) (Universal Edition)
-
Sechs Lieder for middle voice 1930 (Doblinger)
-
Sieben Lieder for soprano 1926-1936 (Doblinger)
-
Prayer [for the United Nations] 1945 high voice with piano or organ accompaniment (Mills Music)
Choral Works:
-
Requiem
Ebraico: 92d Psalm 1944/45 for baritone, soprano, alto, mixed chorus and orchestra
(or organ/piano) (Doblinger)
-
Four Songs for Wordless Chorus 1948 (Songs for the Daughter of Jephtha) (J.
Fischer & Bro./Belwin Mills)
Solo and Chamber Music:
Orchestral Works:
Ballets:
Unpublished Works
Songs:
-
Approx. 70 unpublished songs including:
- Vale, 1922. Baritone with piano/Baritone and orchestra (1928). Text : Karl Steiler.
- Berückung, 1924. Soprano with piano. Text : Richard Dehmel.
- Die Nichtgewesen, 1925. Soprano with piano. Text : Isolde Kurz
- Jannette, June 3, 1925. Soprano with piano. Text : Julius Bierbaum
- Kommst Du nicht herein, February 1926. Soprano with piano accompaniment. Text : Karl Kobald
- Du, June 1926. Soprano with piano. Text : Rudolf Paulsen
- Es spinnt sich ein, August 1926. Baritone with piano. Text : Rudolf Paulsen
- Komm heil'ge Nacht, April 1927. Baritone with piano accompaniment. Text : Fritz Böhm
- "Aus der Hirtenflöte" Soprano with piano. Text : Karl Kobald
- Wenn der Abend leise kommt, March 1927.
- Meine Seele fliegt zu Dir, May 18, 1927
- Warum weint am Uferrand, May 1926
- Waldfrieden der Einsiedel, spielt leis auf seiner Fiedel, 1927.
- Immer leiser wird mein Schlummer, June 1927. Soprano with piano. Text : Hermann Lingg
- So regnet es sich langsam ein,
August 1927. Baritone with piano. Text : Cäsar Flaischlen. English
translation "Last Rose". Included as number five of the unpublished
collection "Liedercyklus".
- Der Tod wird uns, [August 2, 1927/[March 1928]. Baritone with piano/Baritone and orchestra. Text : Calé
- Der schwere Abend, July 30, 1928. Baritone with piano. Text : Nikolaus Lenau
- "Mondbilder". English translation written under the German. Text : Christian
Morgenstern September 1928. Baritone and orchestra.
- Du, October 3, 1928. Soprano with piano. Text : Ricarda Huch
- Sehnsucht, November 1928. Baritone with piano accompaniment. Text : Johannes Schlaf
- Wiegenlied,
December 1928. Soprano with piano. English text written under German -
orchestral version. This is the earliest of three Wiegenlieder: a
second is included in the "Kinderlieder (III) and a third occurs in the
opera "Job." This first Wiegenlied reappears in instrumental form in
the suite "To the Promised Land" [see III B. ORCHESTRAL COMPOSITIONS.
Suites, no. 6].
- Vöglein Schwermut, April 1929. Alto with piano. Text : Christian Morgenstern
- Kein Seufzer spricht von meinen stummen Schmerzen, May 1929. Soprano with piano.
- Der Briefmark,
January 1931. Soprano with piano. Text : Joachim Rengelnatz. Included
as number nine of the unpublished collection "Liedercyklus".
- Ja, ich weiss woher ich stamme (Ecce homo), January 1931. Baritone with piano. Text by Friedrich Nietzsche
- Lass mich in deinen stillen Augen ruh'n, January 1931. Soprano with piano. Text by Max Dauthenday
- Die Sonne sinkt, January 1931. Baritone with piano. Text by Friedrich Nietzsche
- Grabschrift [Epigramm],
February 1931. Baritone with piano. Text by Gotthold Ephraim Lessing.
Included as number thirteen of the unpublished collection
"Liedercyklus".
- Der Tag erwacht, February 1931. Soprano with piano. Text by Trude Jellinek
- Die Du so fern bist,
March 1931. Baritone with piano. Text by Otto Erich Hartleben. English
translation by Gertrud Zeisl. Included as number two of the unpublished
collection "Liedercyklus".
- Seufzer der Sehnsucht, March 1931. Soprano with piano. Text by Martin Graf. Included as number one of the unpublished collection "Liedercyklus".
- Wanderers Nachtlied, 1931. Baritone with piano accompaniment. Text : Johann Wolfgang Goethe
- Der Fromme,
1931. Baritone with piano accompaniment. Text by Wilhelm Busch.
Arranged also as duet for soprano and baritone. Included as number six
of the unpublished collection "Liedercyklus".
- Komm und reich mir deine Hand, 1931. Soprano with piano accompaniment. Poet unkown.
- Letzter Tanz [Ballade],
1931. Baritone with piano accompaniment. Text by Emil Prinz von
Schönaich-Carolath. Included as number three in the unpublished
collection "Liedercyklus".
- Ich kann es nicht vergessen, 1931. Soprano with piano accompaniment. Text by A. Strodtmann
- Kater, 1931. Soprano with piano accompaniment. Text by Alfred Walter Heymel.
- Die Nacht, June 1931. Baritone with piano accompaniment. Text by Hermann von Gilm.
- Morgenlied, July 1931. Baritone with piano accompaniment. Text by Joseph Freiherr von Eichendorff.
- Das trunkene Lied, July 1931. Baritone with piano accompaniment. Text by Friedrich Nietzsche.
- In der Nacht, August 1931. Soprano with piano accompaniment. Text by Joseph Freirherr von Eichendorff.
- Vor der rechten Schmiede, September 1931. Baritone with piano accompaniment. Text from "Knaben Wunderhorn".
- Abendstimmung, November 1931. Soprano with piano accompaniment. Text by Kühnel.
- Regen, December 1931. Soprano with piano accompaniment. Text by Johannes Schlaf.
- Stille Nacht, December 1931. Baritone with piano accompaniment. Text by Richard Dehmel.
- Arm Kräutchen, ca. 1931. Soprano with piano accompaniment. Text by Joachim Ringelnatz.
- Ein ganzes Leben, ca. 1931. Soprano with piano accompaniment. Text by Joachim Ringelnatz.
- Der Fremdling, March 1932. Baritone wiht piano accompaniment. Text by Charles Beaudelaire.
- Die Arbeiter, July 1932. Baritone with piano accompaniment. Text by Alfons Petzold.
- Der tote Arbeiter, July 1932. Baritone with piano accompaniment. English text written under the German. Text by Alfons Petzold
- Eing bukliger Waisenknage singt,
August 1932. Soprano with piano accompaniment. Text by Alfons Petzold.
On manuscript copy: "Meinem über alles geliebten Suserle von deinem
Zeiserl Mai 33" [Suserle is Gertrud Zeisl].
- Wanderlied, August 1932. Soprano with piano accompaniment. Text by Alfons Petzold "Meinem geliebten Schnupserle zugeeignet".
- Seit Du fort bist, October 1932. Soprano with piano accompaniment. Text "Aus dem Chinesischen".
- Kein Ton mehr klingt, March 1933. Soprano with piano accompaniment. Text by Rudolf Paulsen.
- Altes Reiterlied
["Soldatenlieder"], May 1933. Baritone with piano accompaniment. Text
by Klabund. There is only one song under the title "Soldatenlieder". At
the top of the first page "Altes Reiterlied" is written. [See also
"Lied im Herbst" and "Polnisches Freiheitslied"]
- Lied im Herbst, May 1933. Baritone with piano accompaniment. Text by Klabund.
- Polnisches Freiheitslied,
May 1933. Baritone with piano accompaniment. Text by Adam Mickiewicz.
"Lied im Herbst" and "Polnisches Freiheitslied" may have been intended
as part of the "Soldatenlieder".
- Fuge, February 1935. Soprano with piano accompaniment. Text from "Knaben Wunderhorn'.
- Komm süsser Tod, January 17, 1938. Soprano with piano accompaniment. Poet unknown.
- Gigerlette, ca. 1925. Soprano with piano accompaniment. Text by Julius Beirbaum.
- Stille, 1938. Soprano with piano accompaniment. Text by Marie Weiss.
- Mir ist so Weh, 1938. Soprano with piano accompaniment. Text by Rainer Maria Rilke.
- Reiterliedchen, 1938. Soprano with piano accompaniment. Poet unkown
- Dieselbe, 1938. Soprano with piano accompaniment. Text by Johann Wolfgang Goethe, "Mignon Lied', no. 3.
- Ein Tanzchen, 1938. Soprano with piano accompaniment. Text by M. Brelitz.
- Untreue, 1938. Soprano with piano accompaniment. Text by Joseph Freiherr von Eichendorff.
- Ständchen, 1938. Soprano with piano accompaniment. Poet unknown.
- Sie hat mich verstossen, 1938. Soprano with violin obbligato and piano accomp. Poet unknown.
Choral Works:
- Three African Songs, 1930, for soli, mixed chorus and piano/orch.
- Arabeske; (Text : Frank Horne, Deutsches : Anna Siemsen)
- Harlemer Nachtlied; (Text : Langston Hugues, German : Josef Luitpold)
- Kyulila [Tante Sues Geschichten] (Text : Langston Hugues, Deutsches : Anna Siemsen)
- Banger Abend, March 1931. A cappella choir [SATTBB} with soprano solo.
-
Three Choruses, for women's voices a capella. Text Wilhelm Busch. April 1932.
- Es sitzt ein Vogel auf dem Leim;
- Mich wurmt es sehr, wenn ich dran denke;
- Sie war ein Blülelein hübsch und fein.
- Kleine Messe/Little Mass, 1932, for organ and string quintet, SATB soloists and mixed chorus
-
Requiem Concertante, August 7, 1934, for SATB solo quartet, mixed chorus and orchestra
- Three Women's Choruses, April 1935, for women's a cappella choir.
- Ohne Liebe was ist Menschen Leben;
- Die Schönste aller Gaben, wär nicht geboren sein;
- Was trägt die Gans auf ihrem Schnabel.
-
Soruchkantate / Cantata of Verses, September 1935, for mixed chorus and piano/chamber orch.
-
The Twenty-Ninth Psalm,
"Herrlichkeit Gottes in Gewitter", October 1936, for mixed chorus and
piano/orch. Piano reduction SATB chorus, 2 fl (pc), 2 ob, 2 cl, 2 bsn,
4 hrn, 2 tpt, 3 tmb, tuba, perc., harp, string quintet, organ.
- Two Choruses, A. February 18, 1938; B. February 25, 1938. SATB chorus.
- In tiefem Schlummer;
- Am Abend.
- From the Book of Psalms,
Jan. 5, 1953 (orch.score), Dec. 18, 1952 (piano). Tenor solo,
male chorus, fl, ob, 2 cl, hrn, 2 tpt, tmb, harp, (or piano), perc.,
strings.
Solo and Chamber Music:
-
Suite for Violin and Piano, Op. 2, 1919
- Heinzelmännchen Suite for piano solo, 1924
-
First String Quartet in D Minor, 1930-33
- Adagio aus der Sinfonietta, August, 9, 1938. Trombone, divisi violas, cellos, and bass.
-
November, eight pieces for piano, 1937-38
-
Organ Prelude from the opera Job, June 1939
-
Organ Prelude (No. 2)
-
Slavic Song for B-flat clarinet, 1940
-
The Good Old Time (Menuett) for bassoon, 1940 -- Click here
and type Zeisl to listen
-
Spanish Dance for wind quintet, 1940
-
The Hunt for four horns in F, 1940
-
The Alamo for four trombones, 1940
-
On the Grave of Napoleon for four B-flat trumpets, 1940
-
Chinese Princess for four flutes, 1940
-
Two Hedge-Hogs for oboe, bassoon and piano, 1940
-
The Clarinet Players Penny Song for four B-flat clarinets, 1940
-
Prelude and Fugue in F in the old style for three trombones, 1940
-
Four Piano Pieces for Good Players for piano solo, 1944
Orchestral Works:
-
Suites
-
Fairy Tale Suite from the opera Die Fahrt ins Wunderland, 1935
-
Romantic Comedy Suite from the opera Leonce and Lena, 1939-40
-
Orchestral Suite from the opera Job, 1939
-
Antique Suite for chamber orch. from The Return of Ulysses, 1943
-
To the Promised Land from the opera Job, 1948
-
Programmatic Works
-
Moonpictures for baritone and full orchestra, 1928
-
Children's Songs for soprano and full orchestra, 1930-31
-
November, sketches for chamber orch., 1937-38
- Souvenir
- Dance of the Fallen Leaves
- Shepard's Melody
- Victory in Winter
-
Absolute Works
Ballets:
-
Uranium 235 (ballet by Maurice
Dekobra), 1945-46
-
Naboth's Vineyard (ballet by Benjamin
Zemach), 1953
-
Jacob and Rachel (ballet by Benjamin Zemach), 1954, orchestral, speaker, singer (baritone)
- Introduction
- Jacob's Flight
- Night
- Jacob's Dream
- At the Well
- Music
- Slaves at work
- Jacob goes
- Theme and Variations
- Variations II
- Fulfillment of agreements
- End & Climax
- Bacchanale
- Music
- Jacob burst onstage
- Jacob in search of Rachel
- The promise reiterated
Operas:
-
The Sins (opera in one act, text by Gretl Buxbaum), 1927-28
-
The Trip to Wonderland (folk opera, text by Alfred Moeller), 1934
-
Leonce and Lena (romantic comedy, libretto by H.P. Königsgarten
after play by Georg
Büchner), 1937
-
Job (2 of 4 acts complete, libretto by Hans
Kafka after novel by Joseph Roth), 1939 -
To obtain scores or parts for any of Eric Zeisl's works, please contact
Z.M.P.